Brian Earhart frames scrambling as four skills in one shot: physical technique, strategy, sports psychology and creativity. He talks about the mindset and mental side of scrambling. Replace subjective self-criticism with objective descriptions of what actually happened.

Brian's core motto is "analyze a lie off the fairway exactly the way you would analyse a tee pad on a brand new hole."

This lesson is all about understanding the basics of analysing the hole in front of you. We do this so you can see that the same applies to scramble situations too!

An example of analysing the groundplay to your advantage. Just thinking about how the disc lands may save you a stroke or two.

A book recommendation from Brian. Mark Broadie's Every Shot Counts and how strokes-gained thinking transfers to disc golf scrambling.

Even the best players in the world pitch out to “the middle” without choosing a precise landing spot, then get pinched into a shot that is not their bread and butter. Brian talks about how to do it right!

An example from a deep miss on a long, left-bending par 4. Brian walks the fairway to pick which half of it he wants to land on and shows you his step-by-step approach.

A take on Ken Climo / Barry Schultz origin story of the patent pending stance, and why it is a lifelong skill rather than a one-season fix.

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A drill from Brian's ultimate frisbee coaching: throw to one target while stepping out in all eight compass directions in turn. It builds real comfort isolating the wrist and keeping your centre of balance centred from stretched-out patent pending positions.

Pinned against a left tree line with no room for a forehand or a backhand. Brian aims to the safe right side of the basket, because missing left means trees and no putt, and plays for circle one rather than a bullseye.

A par 5 lie beside the only tree in the fairway, where a backhand risks slapping your hand into the trunk. Brian shows how to get the most out of this tricky lie without risking your health.

Why a forehand matters even more in a scramble than off the tee: the motion is isolated in the arm and wrist, so it gets you out of lies a backhand cannot. All starts with the right grip.

A refresher on the spectrum of follow-throughs. Fast overstable discs need a high release far out in front, slow understable discs need to sit low and back and get popped. Learn to separate a “throw” forehand from a “pop” forehand, because the rest of the module uses both terms.

The same shot thrown four ways: fast overstable, fast flippy, slow overstable and slow flippy. Brian contrasts a soft, mellow pop sidearm with a putter against a violently overstable Zone OS line that only finds flat very late.

Overstable drivers need speed, nose down and a release far out in front or they stall and die. Understable drivers stay close to the body and get popped on a tight, trapped line that fits the narrow gaps you actually face in the woods.

Off the fairway with OB down the entire right side, Brian accepts getting there in three rather than forcing a hero line. He throws a very overstable disc high, trusting it to return to flat in the middle of the fairway.

Grips, arm slots, and disc stability for both overheads, with an honest warning to respect your shoulder and warm up first. Seriously. Warm up before doing these shots.

A 200-foot thumber is all a scrambler really needs, and Brian shows the grip and the release point he uses. Pick a spot in the sky, throw something stable, and let it land on its back rather than risking ground play.

The tomahawk pans the other way from a thumber. Release closer to 12 or even 11 o'clock, past vertical. With a slightly understable disc, force it over vertical and let the disc do the work on the way down.

Brian calls the forehand roller the single best scramble tool for anyone who plays in the woods, and explains how disc stability, throwing speed and ground angle decide where it curls.

Rollers are sails standing on the ground, so crosswind is either your best friend or your worst enemy. Wind into the bottom of the disc keeps it rolling and running; wind on the top curls it over early and headwinds and tailwinds behave just like any other shot.

Start with wide, thick putters in an open field and just experiment with the elbow-out flick — no giant throwing motion needed. The secret weapon is an overstable approach disc like a Zone, which rolled roughly 80 feet farther and straighter than the putters, with no change in technique.

Flip the roller grip upside down and release near or past vertical to get a roller that fades the opposite way to a forehand roller. Harder to land at the right angle than a cut roller, but an easier finish once you own it.

A true cut roller hits the ground on the cut angle and finishes on its belly instead of falling onto its back. With something as overstable as a Zone OS you can release nearly vertical and trust it to roll back toward the pin.

A short bridge into the trick shot section and why these count as real scramble skills rather than party tricks. Previews the turbo putt, the scoober, the grenade, and the Jerm step.

Brian's favourite trick shot, carried over from ultimate frisbee, for clearing a bush or putting when only a high release is available. Hold it at 45 degrees off the shoulder, load it with a lean to create lag, then pop the wrist so the disc catches nose down.

Facing a wall of small trees with no route to the basket, Brian throws the scoober straight over the top. Because it has no glide it simply falls flat on its back, so wind matters less.

The grenade is the spikiest possible spike hyzer — straight up, straight down. This makes it the most point-and-shoot way to clear a tree line. Compares the claw grip with Brian's flipped backhand grip, and stresses hinging at the hips for posture.

When every gap to a basket looks bad but there is a pocket above the tree line, the grenade is the easiest up-and-down available. Grip firmly, pick a point in the sky, and wait to release much higher than you would on a normal backhand.

For obstructed lies on the green, the turbo putt gives you a chance where a normal putt gives you none. Thumb in the middle of the flight plate, four fingers on the rim, push it forward and spin it toward the basket.

Outside C1 you are allowed to follow through past your lie, so you can start in front of a bush and throw before your front foot lands. Popularised by Jeremy Koling and used by pros like Chris Dickerson and Barry Schultz, it is a legal and underused (maybe for a reason) part of the rulebook.

From an obstructed lie just outside circle one, Brian steps out so an 11-metre putt plays like nine. A second, more aggressive demo clears a tree line for a circle two spin putt, and shows how to back into position without disturbing anything.

The closing psychology lesson: your ego gets loudest exactly when the lie gets worse. Nnotice the self-talk and tell it to be quiet. Like the middle game in chess, a scramble is always the most unpredictable and at the same time the most interesting part of the game.

Thank you for watching! Stay present instead of rushing to finish the round, because you can't practice every scramble situation, but you can raise the odds by practicing these tips.